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It comes with age. I can't watch movies that are inhumane.
I really have problems with horror movies. I don't watch them. It's a feeling I don't want to have in cinema. I'm too reactive. It's too draining to watch that kind of movie.
As a movie-goer, I really like to watch all different kinds of movies and, as an actor, I always feel like I could do pretty much anything but a musical.
Part of a horror movie has to be a bit fakey for me to really enjoy it. The new ones are so realistic that they distract me from the ride through the horror.
My goal has been to learn how to get movies made without losing sight of the reasons I began. I have had to learn to recognize the insidious nature of the beast without becoming one.
Directing is the last frontier for women in the movie business. We are studio heads, we are producers and we are writers, but we are not directors in any numbers.
I didn't want to play music because the whole family did it. I wanted to work in a cubicle. I saw Office Space as a young tween and missed the point of the movie. I was like, "This looks good!".
When I was eight years old I went to visit my brother who was working on a movie of the week with my mother and I saw how much fun he was having and I decided I wanted to try it too.
It's pretty rare that I watch a movie now without seeing the script in a way that I hate, where I can see the stage directions and the choices that the actors are making.
I made a movie where I played a girl that just got out of prison and we shot it very very quickly but very intensely-that took me a long time to get over.
The story of Warner Brothers' movie, 'Mildred Pierce,' recounts the enormous and unrewarded sacrifices that a mother (Joan Crawford) makes for her spoiled, greedy daughter (Ann Blythe).
If a spectator with a philosophical mind, somebody accustomed to reading books, gets the same kind of information in a movie, he might not fully understand it.
Do people think I'm cool because I was in a movie when I was a child? No. Well, maybe a little bit more than they used to. There's definitely a nostalgia factor.
The action movie, the thriller and the drama all have safety nets under them. But not the horror film. The horror film can sink to an abyss far darker than the imagination can ever reach.
Phones and soundtracks and Muzak and fountains replace genuine and unpredictable human contact with a seamless soundtrack from a bad movie and a cliche that makes us believe we must all be happy.
I don't see how it could possibly be made into a movie unless the entire book was scrapped and Shirley Temple cast as 'Bonnie,' Mae West as 'Belle,' and Stepin Fetchit as 'Uncle Peter.'
I like to be unhinged; I like to be unpredictable. I like to make people worry that worse things can happen whenever I go out to a restaurant or act in a movie.
As far as the performance goes, I want to create an atmosphere, and use 5.1 sound and imagery and shape and form to transform the stage from one thing to another, as if you're watching a movie.
It's really fun working on this Marvel movie [ Spiderman]. The essentials of Aunt May are that she's helped raise Spiderman and she's his moral compass.
When I'm creating characters, I definitely think of theme songs. Writing for me is very visual, so I sometimes think of it in terms of a movie with a soundtrack, and try to transfer that to words.
With animation, if something does not fit, you always have the time to change it. When you make a live-action movie, when your days of shooting are over, they are over forever.
For us, performance is everything. If we can get great actors in there who like us, and we really like, we feel pretty confident that we can make a movie work.
This is the fourth movie that I've done with this set of director-writers and I've learned to trust them at this point, because actually I started on Lego before they did.