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We sat still, our breathing loud and rhythmic, its music melancholy, a traditional song of sorrow.
Olga was better, in the sun, where he could see every pore in her skin. Get closer. Feel her next to him. It was all he wanted in the world. It was the last thing in the world that he could do.
…he’d assumed their relationship would go on forever. It was going on now, but in another way, like the rearrangement of the stars, which were all still in the sky, just burning in unexpected places.
But this bus was a bit too full. The driver only appeared to control the glass and metal around him. In reality, he was at the nose of a travelling paroxysm.
You know what people are doing on the other side of the world, what’s happening on another planet, but not what’s going on inside the person next to you.
Back in our apartment, lights out, The Professor emerged from beneath the bed." - from "The Professor Spends the Night, " in issue 4 of Literary Orphans
I wonder if every girl yearns for her father’s love, almost like waiting to catch the moon hiding in the trees—beautiful, yet so eternally elusive.-MUKTA
Even at the moment when the last page is turned, a great part of the book, its finer detail, is already vague and doubtful. A little later, after a few days or months, how much is really left of it?
Last night I dreamt Moses and I were rowing underwater.We could breathe and talk to one another.We rowed past schools of fish and sea anemones and Moses named them for me.”—Jules Finn
CONGRATULATIONS DL Havlin! Your entry, "There are No Lights in Naples", an unpublished short fiction - flash fiction genre category, is a finalist for the 2016 Royal Palm Literary Awards competition!
Here's to the future, he said and lifted the glass to his mouth. There was a lump of regret stuck in his throat as he spoke the words, but he washed it down with the whiskey.
I don't know, Benes. I'm not sure I've ever really understood women for that kind of commitment.' He flipped his beer mat up int the air with his index finger and caught it in his hand.
One word was the method by which the state collected their information. They could reel in the informants and spread them out like tentacles, ready to sting in any direction.
What a face this girl possessed!—could I not gaze at it every day I would need to recreate it through painting, sculpture, or fatherhood until a second such face is born.
I define influence simply as literary love, tempered by defense. The defenses vary from poet to poet. But the overwhelming presence of love is vital to understanding how great literature works.
There are ultimate truths you cannot hide from no matter how high you climb or how long you sit alone. Everything is on its way somewhere, even if that place feels like nowhere.