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Both of my parents are professors and everyone in my family has some fabulous degree of something or another and I couldn't get into college because I didn't know a language.
I only please myself. I figure I'm just one of many people. I'm not that different from anybody else and I don't have great language - I'm very ordinary.
People can stand around and share movement with each other, whether it's professional or not. That's how it grows. That's what dance does. It's its own language.
The poem is a form of texting... it's the original text. It's a perfecting of a feeling in language - it's a way of saying more with less, just as texting is.
Do you remember when they taught cursive in schools? I think they don't anymore. But I still enjoy it - just the physical act and all the - the whole business of making a thing out of language.
Every true American likes to think in terms of thousands and millions. The word 'million' is probably the most pleasure-giving vocable in the language.
That's so different in Hong Kong when I'm using my own mother language, I can treat the line in one thousand different ways, with many different reactions.
It's important to me to work in my own language now and then. I love English, but you can never learn to master a foreign language if you're not brought up with it
We infer the spirit of the nation in great measure from the language, which is a sort of monument, to which each forcible individual in a course of many hundred years has contributed a stone.
I used to keep a dictionary and work with it and then I realized there are more words that exist in the English language than there are in this dictionary.
A tale should be judicious, clear, succinct; The language plain, and incidents well link'd; Tell not as new what ev'ry body knows; and, new or old, still hasten to a close.
Music: breathing of statues. Perhaps: silence of paintings. You language where all language ends. You time standing vertically on the motion of mortal hearts.
There is a word, in a verb, something sacred which forbids us from using it recklessly. To handle a language cunningly is to practice a kind of evocative sorcery.
In the studio system, things are expected of a film. By the first, second, third act, there's a generic language that comes out of the more commercial system.
My French definitely improves the more I drink, as I worry less and less about absolutely perfect grammar. I do speak and understand the language, just not particularly well.