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The main focus for me is not trying to find duet partners. It's about just making great songs. I want most of my album to be in my voice, because it's my point of view.
My mother, I want her to like my music, but she's not exactly my target audience. So I care more about the fans in general, just making sure they enjoy what I do.
I did the bible as told through Hispanic people and they laughed and applauded. I thought, "Oh my god, this is what I want to do for the rest of my life."
[Brad Furman] wants to try stuff, he's willing to try stuff. And he wants electricity on the camera. And that's what I want, I want electricity whenever I'm performing.
At the (record company) meeting Paul just kept mithering on about what we were going to do, so in the end I just said, 'I think you're daft. I want a divorce.'
Wouldn't it be interesting to take Elvis back to his Sun Records period? I don't know. But I'm content to listen to his Sun Records. I don't want to dig him up out of the grave.
Growing up I didn't want to be an actor. I sort of didn't want to go into the family business; the main reason being there was something I wanted to do far more, which was be an artist.
I've been asked over the years to compile a list of desert-island discs. I couldn't do that. If I was trapped on a desert island, I don't think I'd want 10 songs to bring with me.
When I have failed as an actor I've always thought it was my fault. But when I direct something, I wouldn't want the actors to think it was their fault.
The question is not whether you would like to be president or not. The question is: Do you think you can win and do you want to run? And none of those are clear to me.
A lot of directors don't know what they want to do. Every director I've seen that was a good director that I've admired knew exactly what he wanted to do. They didn't sit there and think about it.
I'm still quite small-minded and small-town, and people look at me like, "You're too famous to remember me." I want to give them a tap on the shoulder and thank them.
In life, we choose whether or not we want to be a winner or a loser. To be a winner, we must devote time and hard work. To be a loser you do nothing, and that's exactly what you will get, nothing.
You're about to walk on stage and play together for the next few hours so you want to feel connected and make sure that everyone is in the same head space; a good head space.
Why, listening to Obama talk about his economic triumphs over the last three years might make you want to move to the country he was describing. Too bad that country exists primarily in his own head.
I will have failed in this if in five years there are not many more people using public transport and far fewer journeys by car. It is a tall order but I want you to hold me to it.
People can make arguments from the Bible if they want to. But I want them to see that they should also give arguments that all reasonable citizens might agree to.
The force of the guinea you have in your pocket depends wholly on the default of a guinea in your neighbour's pocket. If he did not want it, it would be of no use to you.
I don't write [screenplay character] biographies beforehand. I usually go in knowing some sequences: this is where I want to start, this is where I want to end.
Spending time in jail really helped me stay away from what my brother did because I got a taste of jail time. I realized this isn't the life I want to live being locked up 24 hours a day.
Pictures... are also opinions... [they] set down what the camera operator sees and he sees what he wants to see and what he loves and hates and pities and is proud of.