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Exercise and writing are so therapeutic to me. I try to write every day and I make it a huge priority to find time to work out, even if that means taking a spin class at 7am before work.
I'm a huge fan of [Elijah Wood] work and a huge fan of him, as a person. What's great about getting to know him is that he's just a really lovely, regular guy.
It’s never something huge that changes the everything, but instead the tiniest of details, irrevocably tweaking the balance of the universe while you’re busy focusing on the big picture.
Playing roles that are intense and damaged has always come more easily to me than doing comedies or lighter stuff - that would be taking a huge risk for me.
I get inspired when I look at Tom Lennon, who did Reno 911! for six seasons while writing huge movies and directing, and also doing other pilots; he did that FX pilot, the Star Trek thing.
If I really knew how to do good storytelling, I would be a writer. Mystery is not a huge part of it. ... It's tension, it's relationships. I think it's a struggle.
Watching kids go from the age of 9 and 10 to 13 is a big, huge jump. The way they speak, their looks, their attitudes, everything changes as you go from being a little kid to a teenager.
I love dressing up. I'm from a huge African family and grew up in a really colorful place. The way I dress reflects my environment and wanting to take people into a fantasy world for half an hour.
I do come from a theater background, where the playwright is optimal and king and you have to serve the playwright. So I am, of course, a huge fan of scripted everything.
It's like I'm stuck in a time bubble. Memories keep coming back, and of course, memories are a huge part of literature and cinema, from "Stand by Me" to "Blade Runner."
I don't really see huge barriers between any styles of music. My definition of music is "organizing sound and silence into emotion," and that's a very broad definition.
I gotta tell you, I do not envy whoever they try to put in David Letterman's chair. Folks those are some huge shoes to fill, and some really big pants.
Lemuel Ayers had had a huge success producing and designing Kiss Me, Kate. He wanted to produce this as a musical. I got the job. It was a professional score.