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When you think about it there's never really been a realistic exposition of Hollywood, I mean - from the inside - showing Hollywood what it can do, what it has done, to people.
Sometimes I'll have a brief window of mini-fame thanks to 'Access Hollywood.' But it only lasts a couple of days, and then no one recognizes me anymore.
It's frustrating when you come over here [Hollywood], especially from a position that I was in, in Sweden, where most people know who you are, but then you come here.
I've only been three years in the industry - but I would say from my observations, my personal opinions, that the world in Hollywood and all the big movies has been built up as just white.
I'm not of the manor born; I've never felt entitled in that way. I just came to Hollywood to be an actor. All that lifestyle stuff is something to be managed.
There's nothing better than being in an asylum, if you're going to have a bunch of crazy people in an asylum, and they're all beautiful Hollywood actresses.
Hollywood is just a bunch of people going around in Learjets to other people asking them if they've got any money? Well, they might have if they didn't spend it all on jets.
The British tradition, basically, is to go to the character. And the Hollywood tradition, shall we say, is basically to take the character to the performer.
I didn't go to the special screening on a spaceship where everybody goes to have their special screenings...Everybody knows that's what happens in Hollywood.
What has been doing in the last week, attacking Hollywood actresses [Meryl Streep] for criticizing him, I mean what would is this guy [Donald Trump] living in?
To a certain extent in Hollywood you're a product, and your product is whatever sells the most, and whatever sells the most is whatever the public likes to see you do - if anything.
Hollywood is a far safer place to work than working abroad, because of the skill level, and because of the safety considerations that experience and unionization have created.
I think Hollywood, as it's been, will have to change because the model of Hollywood is "we'll make this content, and you guys buy it," but I don't think that's the future.
I didn't want to just work within Hollywood when I started a production company. I wanted to be able to collaborate with great artists from all over the world.
If you look at Hollywood today, compared to five years ago, 10 years ago, 20 years ago or 30 years ago, the change from moment to moment has always been extraordinary. It never stops moving.