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Even when I was an engineer, I was a comic on my job. At birthday and holiday parties, I was the one scheduling and emceeing. If you work on your gift, and you're good, it will shine through.
Just before my 16th birthday, Natalie Dormer said to me, 'As soon as you turn 16, you're going to work adult hours. People will try take advantage of you, so it's important not to be a pushover.'
I'm a big believer you should design work around a vast majority of people who want to do the right thing rather than around the tiny minority who might take advantage.
Your neighbors will be envious of your 3D printer - and if they're not, just print new neighbors. Design them so they'll like to bring you pies, maybe, or want to do your yard work for you.
The best design work is really done when you spend more time with people, when you have the opportunity to be of the same mindset and the same incentives as the founder of the business.
You'll never see me with a precision flick of eyeliner. Messy eyeliner became my thing by accident rather than design. If you can't get it straight, then just work it in around your eyes.
Independent graphic novelists have already achieved good work in terms of design, but all these great minds are writing in English. There is a need for people to write in Hindi.
One thing about costume design - and I think design in general - but especially costume design, is people have a misconception that it's very glamorous work.
Leo Hurwicz is the father of mechanism design theory and has inspired much of my work, and Roger Myerson is an old friend and collaborator and a tremendous economist.
I've learned a tremendous amount over the years by watching designers work. I now have a good understanding of what sits well on the body, not to mention the importance of a great cut and quality.
Martha Stewart is extremely talented. Her designs are picture perfect. Our philosophy is life is messy, and rather than being afraid of those messes we design products that work the way we live.
I gave the couple a hint of a design that would work great with the bones of their home. They weren't ready for it, and they embarrassed themselves and that's too bad.
I do believe in soulmates and happy/successful marriages. No marriage can be happy 24x7 for 365 days. Both partners have to make the relationship work, is what I believe in.
But the key to our marriage is the capacity to give each other a break. And to realize that it's not how our similarities work together it's how our differences work together.
A successful marriage is a decision. You decide it's going to work. You can't always be there, but you have to be there enough. And you have to make sure you are where you're needed most.
I believe that if man and woman cherish the same ideals and think alike, then the marriage can be complementary to each other's work instead of being a hindrance.
I have a great agency! It's definitely team work with my fashion career. The trick is to surround yourself with the best people, those whose opinions you really trust and value.
As an ambassador for the aid agency Cafod and the Anthony Nolan Trust, I need to be sure that my public support for those charities is a help for their work, not a hindrance.
I don't trust anybody that doesn't do good work. I don't give them any credibility. If they can't write, why should I believe anything they have to say?
It's definitely team work with my fashion career. The trick is to surround yourself with the best people, those whose opinions you really trust and value.
'Caught' is a novel of forgiveness, and the past and the present - who should be and who shouldn't be forgiven. None of my books are ever just about thrills, or it won't work.
I think we all have a dream of what it would be like not to work and grow heirloom tomatoes, and I do have that dream. It would be lovely. I do love gardening and all of that, but I do love my work.
When I go into the garden, I forget everything. It's uncomplicated in my world of gardening. It's trial and error, really. If something doesn't work, it comes out, and you start all over again.
My work is about the underbelly of the beauty of nature - and the dark side of nature is its indifference. Nature isn't friendly, nor is it unfriendly - it's the perfect embodiment of the Other.
I've been working with Disney all these years doing voice work, and now I'm signed with Disney Fine Arts, doing 'Beauty and the Beast' oil paintings. So it's been an ongoing wonderful job.
I get asked, 'Who would you really like to work with?' I'm already working with them. Smart, talented, funny people, good musicians, an extended family, good friends.
It's funny how sometimes how the public some people think I was born like this. That I maybe I sleep and I do big muscle, but its a lot of work to look like this and to be in this kind of condition.
I'm sure that my parents' behavior has entered my work, I'm sorry to say. I don't think you need to have a difficult childhood to be funny, but it helps.