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Avowed work, even when uncongenial, is far less trying to patience than feigned pleasure.
Most influential of all is the philosopher Stanley Cavell, and a younger generation of philosophers who have attempted to follow his pioneering work in thinking about literature philosophically.
There are many critics whose work I greatly admire. Even though I diverge from T.J. Reed in several important ways, I've learned greatly from his writings on Mann.
You don't read it in the sense of reading a message; it doesn't work like that. What's happening is that the Shadows are responding to the attention you pay them.
The e-book revolution has made it very easy to pay writers a good deal less than what their work is worth. I do strongly believe that we writers ought to hold out for much better royalties.
I would never not work on the part without it playing. That's what being an actor is. You use everything that's influenced you to help you get out of yourself or be more creative.
I figured that I wasn't as smart or talented as the other kids around, so I just had to work twice as hard. Surprisingly, results showed quickly. I was hooked!
My other work, teaching, also is satisfying because I can be with people but in controlled circumstances, which aren't as likely to yield the pain of dealing with family.
You always try to work for your audience, to entertain them, but that being said, obviously, within the studio system you feel the sense of responsibility to the bank.
He's the president of the United States. He's got to work 14 to 16 hours a day, run foreign and domestic policy. If he's got time for mistresses after all that, what the hell difference does it make?
It was intimidating to play a deaf character. There's a whole culture in the deaf community and I really wanted to know a lot about that and honor it in the work.
I invest because I'm really a firm believer in letting the artist make their work, if you choose to work with an artist then you give them the go-ahead.
I did not go to art school thinking that I was an artist; I went there mainly doing stage sets for bands. I considered my work more as an applied art for musicians, not as art in and for itself.
In all my documentaries I did all the camera work, but in fiction I didn't want to do it myself. I think the machinery is so heavy and demanding that you would leave the actors alone for a long time.
I'm not a writer where I feel particularly blessed by great inspiration every day. I don't. I have to work really hard at it to try and say the things I'm concerned with.
There's a level of discipline I use as a writer, designed to get better at what I'm doing, that requires quite a lot of study and quite a lot of hard work as well.
When I see my work in a gallery I often wonder how I got to this point. Sometimes the process of making the work feels like a blur, and I look at the work and wonder how I actually made it.