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The way you present your work has a lot to do with how people receive and regard it.
There's many scripting languages in the world, Perl is a little bit special because it is based more on some ideas from the way natural languages work.
I got to work with my wife, Lena Olin, for the first time, which was great. I thought it might be difficult in some way to talk to one's wife in a different way but it was so not forced.
It's very easy to get caught up in - there's a hype going on now that I haven't seen in years, and it's actually more about press than it is about an actor's work or what films they've been in.
Collaboration. ... For me, it has informed every move I've ever made. And it saved me in many ways and still does. When things get hard, you can cling to the work.
What I hope in my ideal world is that with each project, I'll either get to work with a really great script that would force me to grow, or work with a really great actor who will make me better.
It is worth asking who decides what's an "obsession" and where it differs from meditation or the kind of deep dwelling on a subject we see in philosophy or the work of Robert Wilson, for instance?
We goofed around a lot and acted silly. It was great working with Mark Wahlberg too. Some off scenes I had with him I was terrified to do, but he was great.
Part of my journey is sort of learning the ways that I'm unconsciously blocked and trying to open them up. I'm a complete "work in progress" in that area.
I make fun of guys when I like them. I act like I'm 10 years old. I do it as a test to see if they can laugh at themselves. If they get sensitive, then it's like, 'Um, this isn't going to work.'
Getting anywhere you want is hard work. In this photography culture, everything looks so amazing. But it's actually very hard to get to where anybody gets.
Well, it's more of a sane life to be part of an ensemble! I find that the work can be more specific too and I have to really make sure I know where I am in the story because I'm not in every scene.
A lot of my work comes from a place of despair or fear. I often write in order to gain some sort of control over aspects of my life or the world that seem too dark to look at directly.
It's not easy to make friends when you're an adult writer outside of academia, especially when you work alone in a little room for twelve hours a day, and so I wrote toward what I most longed for.
I am really excited that we have Jemaine Clement in the show [X-men], because I freakin' love Flight of the Concords. It was so exciting to work with him.