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In 1979, I received a phone call from Ansel Adams asking me if I would be willing to consider coming to work for him. I was teaching photography in Southern California at that point.
In regard to education, something has been done by the Provincial Legislature but to build churches, and to place clergymen is a work of greater difficulty.
The bad workmen who form the majority of the operatives in many branches of industry are decidedly of opinion that bad workmen ought to receive the same wages as good.
Most of Tina Modotti's work that is known to the photography world was done in Mexico in the years 1923 through 1926, when she lived and worked with Edward Weston.
Be very careful. Giving because we think we will get something back will not work. You must be 100 percent willing to give and never experience any return, or it will not work.
If you want to write the next great novel, but you think, No, this won't work because no one will buy it or it won't be any good, then you talk yourself out of taking a risk.
Planning to play: that's what saving for retirement is today - and it is antithetical to the nature of play, fully within the definition of work, and blissfully ignorant of the reality of death.
Why we play as children is not because it is our work or because it is how we learn, though both statements are true; we play because we are wired for joy, it is imperative as human beings.
It's difficult for me to diet, so I don't. So, I make up for it in exercise. What I am willing to eat, I have to be willing to work off. It's that simple.
Pot came first when I was young. But I did the work. It wasn't a battle of what came first. They went together like "love and marriage, horse and carriage!"
I think that all actors find they go down and then they come back up if you work on your craft. They come back up to the top and then they go back down and they come back up and they go back down.
I think kids, in general as an audience, are the way forward because they're not sort of sullied by intellectual expectation or this or that. It's a very pure kind of response to the work.
Luckily I am very, very privileged and feel very lucky to be getting work and my kiddies are not feeling the brunt of any kind of horror that's going on today. So I'm super lucky.
I've been thankful to work with some wonderful people and sort of combine forces with some folks that... like in recent years, working with Alan Ferber or his brother Mark who's a wonderful drummer.
I think we're in a time and place, the last 20 plus years, and certainly now, it's only more so, where it's just about us creating a body of work. Creating hopefully our own scene.
Now we also need people who just love to listen to the music. And we need people that want to work to facilitate it. That want to do work, have somebody like Bret Primack, the jazz video guy.
Any time you're making a movie, all you want to do is reduce the variables of things that could possibly go wrong. I think that's why we work with the same people over and over again.
I’m glad the UFC wanted to work with me as well, and I think that they trust that I’ll never make them look bad. You never have to worry about me with a DWI or doing something crazy