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If you want to be an innovator, you have to take risks. And sometimes things work and sometimes they don't work.
Since my adaptation of Ian McEwan's 'Atonement,' I get sent a lot of novels that people think will work as movies. So every now and then I make a point of sitting down and reading a couple of them.
If you want to act, you have to devote yourself to it. Send out letters and photos every day, work all the hours under the sun, whatever it takes. If you're not determined, you won't get anywhere.
I've done quite a few adverts. I've also done some presenting and acting work in Spain. I did a lot of Spanish education videos for people wanting to learn English.
Like any corporation, I have the benefit of the brainpower of everyone who is working for me. It all ends up being my work, the corporate me, but everyone extends ideas and comes up with suggestions.
When I see people talking on the internet about me or my work it's almost always more a description of themselves and so I never really think of myself as anything more than just who I always was.
In fact, most of the work that I have done for the American Hollywood things have not been in Hollywood. The studios are going out in Europe or around the place working.
I would continue to do the things that I do. I'd get into the field and work, and be an example to other people that you can't rely on the government to be the answer to everything.
My work doesn't have the same rules as, say, Andy [Warhol]'s work. But it's gathered together for the simple reason that we all worked with the images and objects around us.
We started out covering income inequality in the magazine [Mother Jones], but that ongoing body of work positioned - and sourced - us well to put both Occupy and the 47 percent in context.
The artistic impulse seems not to wish to produce finished work. It certainly deserts us half-way, after the idea is born; and if we go on, it is labor.
I have made tremendous efforts to work in a darker register and express the sinister and tragic quality of the place, given my natural tendency to work in light and pale tones.
I don't want to be typecast as the 'ambient guy' or someone who only does electronic scores. I think most of the work that comes my way is because people feel they know me musically.