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The work for the actor is always the same. We're looking for a human being. We're looking for believable human behavior.
I'm looking for a balance of reported and essayistic work by up-and-coming women journalists. Often that means combing online-only sources or alt weeklies.
I don't have to work extra hard, but that's because there are a lot of women in my professional network and I have hired a lot of women as full-time writers and part-time columnists.
I did become quite well known from 'Four Weddings and a Funeral', and it helped hugely. I wasn't as famous as Hugh Grant, but I certainly began to work.
What my work is, is my approach to it. It's the practice. And my work is about the effort that I make to get there. And I think if there's anything artistic, it's in that middle space.
I was never the class clown or anything like that. When I was growing up and doing theatre in Seattle I was always doing very dramatic work... Now I can’t get a dramatic role to save my life!
In Hollywood I got work but not the right work until Pushing Daisies. Every girl in LA wanted the part of Chuck. I was terrified - I didn't know if I could be funny.
I'm drawn to doing interesting stuff at work. And some of the time with the supernatural, you get to do really crazy, fun things. But I'm not a big genre-fantasy gal, particularly.
Raising a child is a little like Picasso's work; in the beginning he did very conventional representational things. Cubism came after he had the rules down pat.
I think one of the hardest things about doing a book in the first person is that to a certain extent each day, when you begin to do your work, you're climbing into somebody else's skin.
I don't do research for my novels. Obviously, in my other line of work as a reporter and a columnist, I've had the opportunity to get to know both social workers and TV talk-show hosts.
You can make or break an outfit by not knowing your body type - certain things work on certain people. Make sure you're dressing for your leg-length, hip/chest size, etc.
You can never know enough, never work enough, never use the infinitives and participles oddly enough, never impede the movement harshly enough, never leave the mind quickly enough.
I find being Irish quite a wearing thing. It takes so much work because it is a social construction. People think you are going to be this, this, and this.
I am blessed to live and work in [France,] a country where women filmmakers are by and large not unfairly treated. So I wouldn't have much to contribute regarding issues faced as a female director.
I don't necessarily agree with everything I read about my films, but I wouldn't highlight a specific misconception: If people think this or that about myself or my work, they must have their reasons.
I don't believe the war is simply the work of politicians and capitalists. Oh no, the common man is every bit as guilty; otherwise, people and nations would have rebelled long ago!.
I want to work with people that frighten me and excite me, and characters that I don't believe I'm the best person for the part but I'm still gonna try anyway. Those are my favorite roles.
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