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My scientific work is motivated by an irresistible longing to understand the secrets of nature not by other feelings.
I wouldn't want to live if I did not have my work. In any case, it's good that I'm already old and personally don't have to count on a prolonged future.
A rain-tight roof, frugal living, a box of colors, and God's sunlight through clear windows keep the soul attuned and the body vigorous for one's daily work.
We ought all to make an effort to act on our first thoughts and let our unspoken gratitude find expression. Then there will be more sunshine in the world, and more power to work for what is good.
The idea of it [Star Wars] is really exciting, but the most fun part is the actual job you get to do: the character that you get to play, the people that you work with, the day-to-day experience.
[Warren Beatty] will sometimes spend hours on a very small detail to make sure he gets it right. After the kind of work that he's made, he certainly doesn't have to be doing that.
I really feel lucky that I still feel excited about the actual work that I get to do. I just happen to love it, and I could easily see, for somebody else, that not being the case.
Pure Spirit, one hundred degrees proof - that's a drink that only the most hardened contemplation-guzzlers indulge in. Bodhisattvas dilute their Nirvana with equal parts of love and work.
In the film business, when you're young, you just want to work. But when you're older, it has more to do with who's involved with the project - who you're going to get in the boat with.
I don't want to be throwing the football on the front yard when I'm 75. I mean, I'm not opposed to men doing that. But I don't think it's gonna work for me.
I don't see myself as a moviemaker only, you know? When I can do a picture, I do. But I don't work like a business, in pictures. I am not obliged to make one picture after the other in order to live.
The way I think of my work is that I have to think up the way to tell a story, starting from scratch. The changes in the industry concern me in a general way because I think civilization is doomed.
I'm neither shy nor impressed by media and press. It's just another industry to me. My response to the criticism was, "I work with a steel factory. Why can't I work with the media?"
I'm depending on other people to take the work and run. And if they run in so many directions, they sort of cancel each other out. So the meaning is always open.
On the red carpet, I can be different women with every event and change my style and that's funny because at the end of the day, that's my work as an actress.
Anybody who is in freelance work, especially artistically, knows that it comes with all the insecurity and the ups and downs. It's a really frightening life .
You have to be in movies that make money to be offered work. Basically that's the equation. There's no real way around that. That said, you don't ever make decisions solely for that reason.
I am proud to work with the fossil fuel industry. I think it has historically done a horrible job of educating the public and I think my ideas will help it make a better case for freedom.
The key relationship for writers in film is producers, because those are the first two people involved and the ones who work on it intensely in a private way without the big machinery of film.
Most written work is a conversation between the editor and the writer, that the writer essentially fulfills in public, and the editor provides the stage for that to happen as well as the prompts.