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I'm a big fan of Tom Stoppard's work, and have been since I was in school where I studied him.
I certainly wasn't consciously hiding my identity in the earlier work, though a lot of people have brought up the fact that I drew myself without eyeballs.
Anything you ever make that matters takes a long time. Some artists never see their work in front of an audience, so for them 15 years is a blink of an eye. I am nothing but grateful.
I think my work comes out of both an intense desire for connection and what it means to feel isolated. There's always going to be a kind of tidal movement back and forth between the two.
Separation can make us feel helpless and powerless, like we have no control. To withstand this negative force, we must return to our inner core, and that takes work. That takes time and patience.
I didn't want to work. It was as simple as that. I distrusted work, disliked it. I thought it was a very bad thing that the human race had unfortunately invented for itself.
People like my films. They understand me through my films; it's like a connection that has been established between all my work and myself and the audience and the viewer.
Sometimes I want to work with a DP, sometimes I want to work myself. I go to 35mm, 16mm, it's all the same, but it depends on what you want to tell and what are the tools you need.
My work is always a ready-made... cultural, political, or social, and also it could be art - to make people re-look at what we have done, its original position, to create new possibilities.
One thing I've learned, in the face of all kinds of indignities, domestic workers take so much pride in their work and love the children they care for.
I think people should be proud of the work they do, whatever it is. I have this other arty side that loves creating homes. I can be happy going to the hardware store.
Not getting bored of my own story and/or character is one of the main struggles I have had with novel writing, and I have put to bed big chunks of work that just didn't sustain my interest.
We all bullet point our triumphs, but I am who I am because of everything you don't see on my CV. The stuff that doesn't work out teaches you how to trust your instincts and adapt.