Foreground Quotes
Foreground Quote of the day
There is no foreground or background, only a continuity of interlacing relationships
I like elegance. I like art nouveau; a stretched line or curve. These things are very much in the foreground of my work.
Extreme sport has only ever been about goals and the ways to achieve these goals. Adrenaline plays a part, but it's never in the foreground.
It is a curious fact that with every great revolutionary movement the question of 'free love' comes into the foreground.
Moving ourselves to the background and others to the foreground is evidence that the (spiritual) search is achieving its purpose.
Investigations during the last few decades have brought hydrogen instead of carbon, and instead of CO2 water, the mother of all life, into the foreground.
I never work with music. I hate background music, always did. I only like music in the foreground, meaning, deliberately listen to it, actually.
Without art we would be nothing but foreground and live entirely in the spell of that perspective which makes what is closest at hand and most vulgar appear as if it were vast, and reality itself.
If there's no background, no foreground, no opposition, no complements, then there's no change becasue there's no subject and object.
Avoid distant views, paint objects close up. If the foreground is well done the distance will take care of itself.
Whenever the strength of a belief strongly steps into the foreground, we must infer a certain weakness of demonstrability and the improbability of that belief.
There is in my work a very strong religious foreground and background. In the later work some of that tends to diminish, but it's certainly present in the early work.
N.T. Wright foregrounds what the Bible backgrounds, and backgrounds what the Bible foregrounds
If character is the foreground of fiction, setting is the background, and as in a painting's composition, the foreground may be in harmony or in conflict with the background.
When I started making my own records, I had this idea of drowning out the singer and putting the rest in the foreground. It was the background that interested me.
Ideas' can be only in the distant background of a work of art, something like a very low horizon. In the middle distance and foreground... there shouldn't be any 'ideas' visible.
Start with the foreground. Compositions fail when the foreground is treated as an afterthought.
