Electronic Music Quotes
Electronic Music Quote of the day
Electronic music right now is in its comfort zone, and it's not moving one inch.
Computer games don't affect kids; I mean if Pac-Man affected us as kids, we'd all be running around in darkened rooms, munching magic pills and listening to repetitive electronic music.
I find it so amazing when people tell me that electronic music has no soul. You can't blame the computer. If there's no soul in the music, it's because nobody put it there.
I’ve started thinking about pure electronic music again. Something very melodic, very aggressive.
Electronic music is innately tied to the technology used to create it - as the tools evolve, so will the art.
Electro is today's disco - making electronic music not for the sake of selling it but for sharing it and touring around the world D.J.-ing.
Rock music is electronic music, dependent entirely on electronic circuitry and amplification.
It’s very strange how electronic music formatted itself and forgot that its roots are about the surprise, freedom, and the acceptance of every race, gender, and style of music into this big party.
I spent most of the year in the studio for electronic music at a radio station in Cologne or in other studios where I produced new works with all kinds of electronic apparatus.
Independence has been key to the success and sustained growth of electronic music over the past 25 years.
We have always been thinking about different ways to perform electronic music, i.e. music made with machines.
The good thing, really, is that electronic music started as a fringe subculture, and now it's the biggest youth culture in the world. People pretty much everywhere go crazy for electronic music.
![Electronic Music Quotes: "We come from a generation that wanted to make electronic music accepted, at a time [when] it was not."](https://www.quoteslyfe.com/images/collection3/quotations1104/We-come-from-a-generation-that-wanted-1104171.jpg)
We come from a generation that wanted to make electronic music accepted, at a time [when] it was not.
I grew up with classical music, and to a lesser extent electronic music, and that's where I belong, so to speak.
I think that the audience intuitively understands the idea of sampling and remixing stories. That's why electronic music is global.
Underground electronic music is art - fundamentally it's based on contemporary art, culture, dance, and real music. If you look at EDM, how many of those cultural standpoints are the same?
When I started working on electronic music, that was after the rave period. I haven't even seen that part of it that much.
A lot of people see electronic music as a flavor of the week, but it can be more than that - has to be more than that.
If people like electronic music, then great - let that be the next thing. I don't think I ever really will, but there's plenty of records for me to go buy.
Electronic music used pure sounds, completely calibrated. You had to think digitally, as it were, in a way that allowed you to extend serial ideas into other parameters through technology.
I would never say I will stay in electronic music for the rest of my life. I will always do whatever I feel like at that moment.
I love electronic music as much as I love something that sounds like 'Pullhair Rubeye,' or something a little bit more organic than that.
When we started making electronic music I imagined that the reaction we got from the rock musicians must have been similar to the one the beat groups got from people like my dad.
At the end of the '90s and into 2000, electronic music was still an underground phenomenon, especially in America.
I think the Flecktones are a mixture of acoustic and electronic music with a lot of roots in folk and bluegrass as well as funk and jazz.
I'm really excited about the remixes. I've always been a fan of electronic music and I'm thinking about that very seriously for the next record as well.
I don't remember explaining that I was making electronic music to anyone, but I don't remember anyone being curious about it, either.
It's good to see that America has a hub for electronic music in Vegas, like Europe has with Ibiza.
Electronic music, for me, has been the only real pioneering music that actually does push boundaries and is constantly futuristic.
Electronic music is really weird right, because it is bleeding into the mainstream, but, at the same time, it's fashion.
It's good to listen to electronic music when you're stressed out because you will feel a release afterwards.
To me a lot of electronic music out there is too serious. I'm a bit fed up with DJs who take themselves too seriously and don't smile.
My big problem is that I don't promote my electronic music very much because it makes my 'normal' fans angry!
I never thought electronic music would get as popular in America as it has. When I first came to Vegas in 2009 for my residency - we were they only people playing electronic music at that time.
Tantric Buddhism is just a collection of things that work by doing them. And sometimes we add new things. We have electronic music; we did not have it in Tibet.
People call me a bedroom electronic musician, which I suppose I am. But I hate most electronic music; I find it really boring.
The great thing about the electronic music scene is that everybody can be part of it either by dancing, DJing, or organizing a party.
I'll listen to pretty much anything good, but I probably listen to more "electronic" music than anything else.
If anything, a lot of electronic music is music that no one listens to at home, hardly. It's really only to be heard when everyone's out enjoying it.
I turn on the radio now and I don't have anything against a lot of sequenced and programmed and electronic music, a lot of it is dope and it's the future. It's what popular music has evolved to.
What playing solo has reminded me is how much I love electronic music and how much I love dance music. I'd like to move towards something more hypnotic and rhythmic rather than song-based.
Some people think electronic music is cold, but I think that has more to do with the people listening than the actual music itself.
I don't really care what music's made on - I love guitars, but I'm fine with great electronic music.
We always get back to old soul singers like Nina Simone, and how her recordings sound. Also new music like Tobacco, or people that use a mixture of analog and electronic music.
I'm a real big electronic music nut; when I was young I listened to musique concrète, German music from Cologne in the early 50s, all kinds of stuff.
