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An English man does not travel to see English men.
The thing about Sondheim is that it does get very cerebral. You do need a faculty with words and a love for the lyrics to not just pull it off, but to have an appreciation for it.
Common sense invents and constructs no less than its own field than science does in its domain. It is, however, in the nature of common sense not to be aware of this situation.
Also the fact that anything he does is seen and heard by the entire country, not just his actual audience or those who live in the region he happens to be in.
The critic interested in a novel manifestation holds his criteria and taste in reserve. Since they were formed upon yesterday's art, he does not assume that they are ready-made for today.
I've had to learn that not everybody does things my way. But I do expect the absolute best of everyone around me, and I'm disappointed when people don't expect that of themselves.
How does St. Joseph exercise his role as protector? Discreetly, humbly and silently, but with an unfailing presence and utter fidelity, even when he finds it hard to understand.
A theologian who does not love art, poetry, music and nature can be dangerous. Blindness and deafness toward the beautiful are not incidental; they necessarily are reflected in his theology.
Living alone, you can do so many fantastic things I've learned. You can like, walk around and have so many conversations with yourself and sing your thoughts. I think I'm the only one that does that.
We should try to succeed by merit, not by favor. He who does well will always have patrons enough. [Lat., Virtute ambire oportet, non favitoribus. Sat habet favitorum semper, qui recte facit.]
Between knowledge of what really exists and ignorance of what does not exist lies the domain of opinion. It is more obscure than knowledge, but clearer than ignorance.
You start at the end, and then go back and write and go that way. Not everyone does, but I do. Some people just sit down at the page and start off. I start from what happened, including the why.
That a viewer does not see what the artist intended does not make the composition a failure... In reality all artists speak first to themselves and then to an audience.