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It is a strength of character to acknowledge our failings and our strong points, and it is a weakness of character not to remain in harmony with both the good and the bad that is within us.
That's where everything starts, as an actor: you've gotta have great writing and great character development, and then you have really great materials to work from.
My biggest regret is that I've assisted the media in making me into a cartoon character. I don't regret what has happened to me, but I regret the way I have dealt with it.
It becomes more and more popular to call actors who play characters "character actors." But I've always been somebody who is much more invested in who I am playing than how they look.
Character is ethical and moral strength. People of good character have the moral awareness and strength to know the good, love the good and do the good.
Homer Simpson has been more inspirational to me than probably any cartoon character. What he represents, I think, there's a part of that in everybody. There certainly is in me, and I love that.
It hurts that, you know, the media's made me into sort of this like punching bag or cartoon character-they think that I don't have any feelings, and, you know, it hurts like anyone else.
Faith and character are intimately related. Faith in the power of obedience to the commandments of God will forge strength of character available to you in times of urgent need.
You work like hell to get yourself ahead in the business. You could go anywhere before, and suddenly you can't go anywhere. It's like being a cartoon character.
I'm confident that there are plenty of people who have the strength of character and the presence of mind to warn me of difficulties and alert me to opportunities.
I don't feel like you can fully find the true character until you're in his wardrobe, on set, and really getting into the scene. And that's when you really find out who your character is.
I'm very interested in compassion - compassion for oneself and others. I write about very complicated characters and experiences and try to do it without judging the character or the action.
I do tend to gravitate to the more dramatic side of things. I love feeling intense emotions when I'm acting. I just love characters and stories with conflict.
People lament that there's no roles being written for South Asian or Muslim characters. But their parents don't want their children to go into the entertainment field. You don't get it both ways.
The film [Close Up] made itself, to a large extent. The characters involved were very real, I wasn't directing the actors so much as being directed by them. So it was a very particular film.
I don't have very complete scripts for my films. I have a general outline and a character in my mind, and I make no notes until I find the character who's in my mind in reality.
For me, if the writing and - by extension - the subject matter and the characters are all good, it doesn't matter if it's film or TV. Each medium has great things going for it.
Imagine a world in which no writer has written a literary novel in sixty years. Imagine a place where not a single person has read a book that is truly about the character at its center.
In a militia, the character of the laborer, artificer, or tradesman, predominates over that of the soldier: in a standing army, that of the soldier predominates over every other character.