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I don't mind being identified as any character as long as I'm doing a good job as an actor. I have done all kinds of roles - from an editor, judge, police officer, murderer to a corrupt businessman.
I really started hanging out with Steve [Murphy, the inspiration for Holbrook's character] a lot. I got educated that way. It was crash course. You learn as quickly as possible.
I really like directors who give you a certain amount of autonomy because I think a lot about my characters and I think a lot about scenes and choices.
Making a film of a work you've played for six weeks gives you intimate knowledge of the character. By the time you go in front of the camera you've worked out the behavior and life of a character.
I like to do movies, because I love becoming different characters, and telling different stories through different eyes, and affecting someone's life in one way or another.
When you see yourself as calm, positive, truthful and possessed of high character, you behave with greater strength. Other people respect you more. You feel in control of yourself and the situation.
The structure of human betterment cannot be built upon foundations of materialism or business, but upon the bedrock of individual character in free men and women.
In homes where high ideals and gospel values are maintained, it is parents, not teachers, who lay the foundation of character and faith in the hearts of their children.
We do not see everything in the environment in the complete, totally resolved, explicit character of the photograph. We, in fact, prioritize our seeing.
It makes it fun. When an actor plays a character, you want what that character wants. Otherwise it doesn't look authentic. So I really want to defeat Jimmy - I mean Jimmy as the character.
I think the first trick to writing a feminist work is to write plenty of women. That way you get to write characters, instead of worrying about paradigms.
Especially when you are advertising a product, I talk to the photographer and we create a character - it always gives you more freedom because it makes it less about yourself.
I've never done coke or anything, and I've never played a character who has, so I don't know whether I would actually try coke if I had to play a character who took coke.
I read a lot of articles about young women in the resistance. All of a sudden, I felt that if I go too much into this horror, then I won't be able to start as a fresh character.
Going back is a nice way to give definition to each of the characters because they are so vastly different. I would never want them to get blended together.
What I like to write about is stuff I know. I don't think I could write a novel. I don't think I have it in me to come up with those kinds of characters.
A man's ledger does not tell what he is, or what he is worth. Count what is in man, not what is on him, if you would know what he is worth-whether rich or poor.
I think one of the few times I've been involved with real-life characters was the story of Marie Bonaparte. I think it's really difficult to become someone that really existed.