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There's a ton of potential to do something absolutely loopy with a world that you create and characters that you are literally surgically constructing.
Let's be honest, any show will live or die based on how good the characters are, how good the actors are, how complicated the relationships are, how grounded they are and how much heart they have.
The strongest streak in the American character is a fierce pragmatism that mistrust blind ideology of every stripe and insists on finding what really works.
I can relate to historical characters or imaginary ones. It doesn't matter if a story takes place in the future or in the present, as long as the story is compelling.
My dream roles haven't been written yet. My favorite thing to do is to dive into the uncharted territories of a new script that's untainted by someone else's idea of the character.
A lot of the characters I end up playing have a certain degree of glamour or sexiness, but I like it when you can have some other element that makes it much more interesting.
My character Esteban is a guy who really didn't think he was gonna be there at this point in his life. He's in his early 30s. He's got a son. He's raising his son as a single father.
Making up characters and places and plots, unlike fixing your plumbing or doing dishes, is anything but practical or rational. I write what needs to be written the way that seems genuinely right.
I rarely return to characters. My characters, at least most of them, are much more a part of that superorganism that is the story than separate and independent creatures.
What I do in the writing of any character is to try to enter into the mind, heart and skin of a human being who is not myself. It is the act of a writer's imagination that I set the most high.
Dialogue has to show not only something about the speaker that is its own revelation, but also maybe something about the speaker that he doesn't know but the other character does know.
Once you're into a story everything seems to apply-what you overhear on a city bus is exactly what your character would say on the page you're writing. Wherever you go, you meet part of your story.
I'm not a comedian. I don't do stand-up. I don't tell jokes. I'm a comedic actor, and approach my work that way. The comedy comes through the character.
I let the comedy come through the character and just try to make sure that everything is kind of rounded in a truth, in a reality, because that's what I need to make a character work.
I think one of the things that is easy to have happened in a superhero story is that the female character, whether she be a heroine or not, can often be the wart on the man.
Its theme-- the operation of divine grace on a group of diverse but closely connected characters-- was perhaps presumptuously large, but I make no apology for it.
I define a thriller as a big-stakes, multiple-viewpoint novel involving suspense, action, and mystery, in which the reader doesn't know everything but usually knows more than any single character.
I really don't like to go for the stereotypes. I try to give you characters that you don't know until you get to know them, and [decide] how you should feel about them.
If you know your characters well enough, you aren't trying to grasp for storylines. You're really thinking about their flaws and their passions and what they're chasing.
'The Last Of Us,' to me, is just amazing storytelling, because everything's from the character point of view, which even movies don't really do successfully a lot of the time.
I'm definitely more of a 'think game' kind of girl. I'll read every single dialogue and codex entry and lore entry. I really do love projecting myself and creating my character.
I always wear the shoes of the character a week before going on set; the idea of just putting on a new pair of shoes on the first day of filming is just horrific.
He's 19 years of age, ... He's a fiery character and competitive. I think maybe when he sees things that are a bit of an injustice against him then he reacts like that.
I have a dark sense of humor, so I definitely like to work on stuff like that. I do enjoy working in comedies where I can create a fun and broad character.
Poorly written novels--no matter how pious and edifying the behavior of the characters--are not good in themselves and are therefore not really edifying.