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I love people like Tina Fey and Amy Poehler, people who create and write their own stuff - especially when there's just not enough cool, interesting characters out there.
Once a character has gelled it's an unmistakable sensation, like an engine starting up within one's body. From then onwards one is driven by this other person, seeing things through their eyes.
The second season is generally easier do because you know the actors better and they know the characters better and if everybody likes each other you can really go all types of places.
With any actor, if you know your character well enough, you'll know pretty much what he would say under any circumstance, or whatever situation might rear its head.
The number one reason for the death of young actors' careers is people get so used to seeing them playing that one character that they can't accept them as anyone else.
Spartan is about this elite unit of the armed forces named the Delta Force. I play a protege of Val Kilmer's character, and he kind of gives me a hard time.
We must not allow ourselves to become like the system we oppose. We cannot afford to use methods of which we will be ashamed when we look back, when we say, '...we shouldn't have done that.'
It's fun being one of the boys. It's fun to have a character that's rough and gets down and dirty and not to be this precious girl who just sits in the corner and just sort of stands by the action.
If you get a book which is 600 pages, you have to reduce it to a script of 100 pages. In two hours of film, you cannot possibly include all the characters.
Whether I'm writing the script, or someone else writes the initial draft, I'm always an actor's director first. I always try to listen to them a lot, and try to put their voices into their character.
As a hero, you have to play it straight. The audience is going to live through you, so you have to be more neutral. They will be projecting their thoughts and their actions onto the main character.
You really have to work hard to create a three-dimensional character. You have to rehearse and explore and take your time. You can't just memorize your lines and do it on the fly.
Basically the children who watch it just see the little characters they love, and so they're not discerning about whether it looks great or it's a great story or anything.
We're always trailing, as far as the amount of roles that are written for us and the films that are being made that have black characters in them. I don't know if that's going to change.
I like that kind of stuff. I like doing speeches. I've been lucky because I've had a lot of characters, over the years, who will have three or four page speeches.