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With a film, I do my best to understand the author's intentions and try to bring the characters to life.
It's not enough to hit the notes. There is no point in the singers just standing there and sounding wonderful if they're not connecting with the characters they are portraying.
One of the things that really intrigued us the most about the whole Wonder Woman mythology is the actual mythology of it. Her character has distinct roots in classic Greek mythology.
I want to be respected as a writer and, like I said, I was really sick of people saying I was a two dimensional character. I want more to my legacy, I guess.
The character I play is a wonderful compilation of things I hate about myself and things I love about myself and things that I've invented to make her even more interesting than me.
The TV commercials, which are endless and fairly crass, gave birth to Brock, the bad-lawyer character in Razor Girl. In real life you can find even sleazier examples than him.
As a feminist, I think you never want to have your characters defined by the relationships that they're in, and it did give her a chance to be a sophomore in college without a boyfriend.
I definitely acknowledge that The Matrix and Trinity had an influence on female action-oriented characters in television and in film. I think it's awesome.
No one is black and white or good or bad or happy or sad or what have you. [All have] particular idiosyncrasies that make them fascinating and that's how I tend to approach a character.
Sometimes when you cannot decide what to do, you pretend to be a character in a book, because it is easier to decide what they would do"-Cassandra Clare
I'm just happy there are characters in the world. I think that anybody who's completely nuts and makes the world a more interesting place is good by me, as long as they're not hurting others.
I want to bring softness and refinement to an urban, feminine wardrobe and to help the woman show her character and individuality through her unique clothes.
It's not about finding Mr Right, or that sort of conventional ending, but I do want my characters to have hope - and that's what I do with all my stories.
When I first got the audition for Shado, I went online and subscribed to DC Comics and read a bunch on Shado and the Yakuza, just to get to know her character better.
For me, it's always filmmaker and then character and then story. They're all equally important but if you don't have a great filmmaker, you will not have a great film unless you just get lucky.