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I'm the kind of person who, even after a shoot that I've loved, is always moving on. There is no gap.
I've done collaborations in all my movies, and I think it's part of what I enjoy about the process. This kind of intimacy that you create. Because it becomes very intimate.
I was kind of a bully, even though I'm tiny, 5' 2". As a child, I'd boss other kids around and dress my little brother up, just putting on shows, singing and dressing up.
I've always loved the drama and the creating of a role and performance and all that comes with that, but I then also kind of like to have just the white picket fence life if that makes sense.
Sometimes I thought about nothing and sometimes I thought about my life. At least I made a living. What kind of living? A living. It wasn't easy. I found out how little is unbearable.
No, I don't harbor any mystical ideas about writing, Your Honor, it's work like any other kind of craft; the power of literature, I've always thought, lies in how willful the act of making it is.
In one's youth, one has tremendous access to one's feelings. And as one gets older, some of those feelings kind of drift away. But so much more happens to you. There's more at stake in life.
I try and have family time, all the time, so you know, I get to see them a lot. And I'm always with my friends, my boyfriend, it helps me keep grounded and kind of sane
As for the fashion world, the one thing I respect is its shallowness: it's so deep - it's so serious. It can be hard to get that kind of shallowness because of its depth and seriousness.
The Stones are not the kind of band that want to get in the details. That's why they have a producer and engineer - to pull the magic out of them and make them sound so great.
There exists a kind of laughter which is worthy to be ranked with the higher lyric emotions and is infinitely different from the twitching of a mean merrymaker.
I used a video camera, and shot on film cameras at school and stuff, but I had a lot more training as a writer. I kind of live like a writer. I get up and I write. I've done that my whole life.
Lansens is a willing storyteller.... As a writer, she desires a particular kind of reader, one who wants above all to be transported--who might sit at her knee, the hearth.
I keep things pretty loose. I'm always attracted to the artists that have a, like a really loose, kind of, human style, you know, you can see, you can tell there's, there's a humanity in there.
Unless that happens, unless you get, you know, kind of integration of activists' concerns and movements, it will be, each one will be 'preaching to the choir'.
If you want information about sports, I can tell you things from the 1940's, and the couple years that my grandson was kind of a jock, but nothing in between.
The Republican Primaries were quite interesting. The establishment had its candidate, [Mitt] Romney, a kind of a Wall Street lawyer and investor, and they wanted him in. But the base didn't want him.
Our whole educational and cultural system is not designed to provide those intellectual tools, so people are often lost and the internet often becomes kind of a cult generator.
There are some very general ideas that people can keep in mind; they're kind of truisms. It's only worth mentioning them because they're always denied.
I don't think all thinking is a kind of rational structure. But I don't think it is correct to identify the rational-nonrational dichotomy with the linguistic-nonlinguistic dichotomy.
[Internet] is kind of like a hammer. The technology itself doesn't determine how its used. It depends on the social, cultural and economic context in which the technology is made available.
Plastic surgery is one of the ways that people deal with the aging process. And I don't mean by using it as a form of denial, but as a kind of negotiation with it.
Songs are kind of alive, I think; once you finish writing them, that doesn't mean that that's it for the song. It can have its own little life, I think.