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As artists, you always want to push yourself. There's always new territory.
I'm incredibly close to my family. I have two younger brothers; they're both artists and actors, and their work and the way they see the world inspires me.
The shaman is the figure at the beginning of human history that unites the doctor, the scientist and the artist into a single notion of care-giving and creativity.
I think that I'm not really preoccupied with my identity or what I am as an artist and how that can be wrapped up in medium. I just think about whatever project it is that I'm doing.
I've been starting in new places year after year after year. It's just like when I went to Greece or the Philippines. I love when people think I'm a new artist. It's a chance to start over.
Coming from Britain, I was terrified of meeting all these other artists, because artists over there tend to fight with each other a lot, the premise being that there's not enough room for everybody.
I've decided to do what I want to do in life and follow my own path as an artist, so I've decided not to participate in any sort of nostalgia in which I'm marginalized as a pop icon of yesteryear.
The disintegration of the culture starts with the artist. Im on a crusade to turn the tide in the arts, to restore dignity to the arts and, by extension, to the culture.
The artist should preach nothing-not even his own autonomy. His art should speak its own truth, and in so doing it will be in harmony with every other kind of truth- moral, metaphysical, mystical.
I am not a natural singer, but I can sing, and probably the way I sing is more imitative than from myself, which is why I am never going to be an amazing recording artist.
Sometimes I think as an artist you tend to go toward the heartbreak and the sadness because those are the deepest and heaviest emotions you can pull out as an entertainer and as a singer.
I've become more confident in who I am as an artist and as a person. I know what I want and am not afraid to voice it in the studio. Or in life. Take it or leave it!
Anything that exists on the human palette is, from my point of view, fair game for artists to portray. You don't have to go see it if you don't want to, so don't go.
If you accept the idea that photographers, or some of them, are actually artists, then you have to look at their work less as a document of something than as a personal vision of the world.
The deal is that you can do it, you don't really owe me anything, but at the end of it, I own the film. Then I can actually go out and reprint or not reprint if it I want.
To me, I was always just standing on the sidelines because up until issue 50, we were just doing Spawn. I wasn't recruiting anybody because I didn't have any books for people to work on.
Recorded music has always been in a sense promotion for live performance, and some artists have discovered that giving it away is as effective as trying to sell it.
Every now and then, I feel terribly uncomfortable with what I'm working on, and then I think maybe I am an artist. I'm not very articulate about it, but I do know that you have to follow your gut.
I think that new artistic challenges help you grow both as a person, as an artist, and then they feed back into your other work, and tend to magnify it.
I look at other artists who have had fabulous first albums, and you don't know what they're doing today. Who's to say I'll be an exception to that rule?
In the time it takes American literary titan William H. Gass to write a novel, other artists have been born, completed their life's work and died. That may be an exaggeration, but only a slight one.