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I'm not a politician; I'm an artist. So I always feel the need to give the unfiltered truth, (or) what I think is the truth, at least.
Advances in technology have opened up possibilities in the cultural realm throughout history. I'm intrigued by developments in technology - as an artist it gives me a new palette to explore.
Artists are taught to be humble about their impact, especially in folk music. It's so ingrained that I have a hard time even thinking I had any impact other than what a normal hit song would have.
Typing in the name of a song and downloading the song you really have no connection with the artist at that point. So I think it is still important to have physical CDs and stuff like that.
Every artist feels alone and isolated, Friends are very important in terms of all sorts of definitions of oneself. They tell you what you are and what they are aside from the intellectual aspects.
I went to film school at UT Austin. I learned a lot and that school's good for puking up all your bad movies early and quick. But ultimately, no one can teach you to be an artist.
People who don't know you, you don't know their motives. They smile at you all day, "Oh, that's great. You've done it again! You're the greatest!" And that's not good for an artist.
I am impressed by the way Annie Kevans captured the different types of beauties that have been my inspiration and my muses from my grandmother to artists like David Bowie and Boy George.
It was only with the emergence of the Conceptualist approaches of the late 1960s that the opposition between artists using photography and photographers became explicit.
Overall, I think any opportunity to expose people to art on a mass level - to have some kid in Oklahoma say to his mother, "I want to be an artist" - is a good thing.
I think Damien Hirst is hilarious. And I think he's a true artist. He's not hilarious first; I think he is a real artist, and I also think he's got an amazing sense of humor.
Talking to actors is the same as talking to any other artists; it's getting into the moment for them, and making sure they can lose themselves in the performance!
I seldom have my stuff up unless I'm testing it. If I'm worrying about a painting, I put it up and see if I detest it quickly or slowly. Otherwise I have things by other artists.
When I criticize Joseph Beuys or Francis Bacon, nobody calls those opinions anti-male. Putting female artists or their subject matter off-limits is itself sexist and limiting.
While the space for artists and curators has increased enormously, maybe, just maybe, that's left room for too many people calling themselves artists and curators who are simply not up to the term.
Lucian Freud's career affirms that the only thing an artist can do is remain true to whatever vision, (lack of) talent, or ideas that happened to pick them in order to be made known to the world.
Biennial culture is already almost irrelevant, because so many more people are providing so many better opportunities for artists to exhibit their work.