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With the new ways of getting music out, you don't need a label if you're a legacy artist.
I felt that, in retrospect, there was a time in the late Seventies, after I had a string of hits and successes, as a performer and a recording artist, that I wasn't saying anything.
I've got this thing where I always kind of diss the older stuff and favor the newer stuff. I mean, it's not just my thing; every artist or musician is like that, I guess.
There's a great legacy before me. Many, many fantastic actors, artists, writers have come before me and created Superman. I'm very honored to be able to be a part of it.
I think anyone who is an artist or writer or owns their own business or whatever can agree that when you come up with something on your own, it's an addictive feeling.
I'm sometimes critical about other artists who come out with something different until maybe I hear the music. If the music is there, then they did their job, and I'll enjoy the CD.
A lot of bands are still just bands that artists ask to get involved, but a lot of artists are using sound they create. This is different from referencing music.
In the 20th century, artists did a great disservice to fairies. They painted fairies in a way that was shallow and trite. So when people see my stuff, they suddenly realize the depth of fairies.
I've worked with jazz artists, country artists, classical artists, pop artists. I never wanted there to be categories, because when I was a kid there weren't.
And I had worked at the comic-book store almost by accident, because I was deciding to make a living as an artist, be it as an art tutor or illustrator, and that's how I wanted to make my living.
I remember the excitement of being a new artist. When up and coming artists ask me like, "Any advice you have for me?" I always say, "Take it all in because you'll never be a new artist again".
Most artists I know consider themselves to be phonies, along with the feeling that there's something that you're doing is essential, essential to communicate, and deeply, deeply real.
When you listen to the music, you can also see the film or read the article, and it's all part of the same journey that you get to take with the artist you're interested in. It's a balancing act.
As an artist, I'm really inspired by everything around me - from travel and art, to friends and family, social voices in media and politics. I get a lot of inspiration from daily life.
I was one of the first post-studio artists. I used to do my works in the streets. I used to find them in the streets, and I used to leave them in the streets.