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Artists can no more speak about their work, than plants can speak about horticulture.
I think great art goes beyond the control of the artist. In some ways, art often makes itself and reveals things about that artist that maybe the artist is not fully conscious of.
The rise of the Internet has caused the demise of the record labels, and has destroyed the music business of old, but it's also created new opportunities for young artists.
That's the message I want to give to every up-and-coming artist: Do everything that is going to help you later. If you clone somebody else, that's all they're gonna keep wanting from you.
Every artist returns to things. The drawings that you make as a child or as an adolescent and the ideas that you have as a young beginning artist, no doubt they crop up again and again.
I imagine if Spotify becomes something that people are willing to pay for, then I'm sure iTunes will just create their own service, and they're actually fair to artists.
In the 1970s when I started in the art world, no self-respecting artist would have stood in line to try to get on a television show. It never would have happened.
[An artist] will sooner and with more certainty, establish the character of skeletons, than the most learned anatomist, whose eye has not been accustomed to seize on every peculiarity.
The aggregate energy of all the great masters of the past and those of the present communicates the greatest possibilities of art. It is from this position that the artist attains colossal strength.
Artists of all sorts remain youthful for so long, and in many cases attain a grand old age. The explanation is that they live in an almost permanent condition of stimulation and excitement.
You just have to be adventurous and that's the way I like to work. I think that's the role of the artist, to do something difficult, doing it first for himself. That's my definition of sincerity.
We must not discriminate between things. Where things are concerned there are no class distinctions. We must pick out what is good for us where we can find it.
I prefer that animation reach into places where live action doesn't go, and it seems like all of animation nowadays is trying to go where live action is.
The heart of Dragon's Lair has always been its compelling story. With Dragon's Lair 3D, we think the team has really created an interactive animated movie.
Directing is one of my favourite things to do because I love telling stories and I love working with the individual artists and it's something that I really missed.
I never really followed the traditional route when it comes to what people probably expect as a solo artist goes, but that's just me. It's my own creative output and it's my expression.
An artist always know everything he does, you know what I'm saying, all the record he starts and don't end up in the public and just sit on the harddrive.
I always admired Walt's optimism. He seemed to know the direction he was going to. When I was at the studio, I remember he kept driving all of us back down to a more fundamental level all the time.