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Working with other artists and sharing your passions is great.
If one defends the bourgeois, philistine virtues, one does not defend them merely from the demonism or bohemianism of the artist but from the present bourgeoisie itself.
I've been writing for myself since I was a teenager - I got into top-lining for some other artists/producers, but the focus was always on my own stuff.
I'm going to be a better actor, or I'm going to try to be a better actor. I'm going to try to be a better musician. I'm going to be an artist instead of just this one thing.
I'd prefer to invite the artists simply to work and have fun with Guatemalan artists. To share missions of life. Maybe that is more important than seeing an exhibition.
Most artists have experienced the creative block. We get stuck in our work. We beat our head against the wall: nothing. Sometimes, it is because we are trying something at the wrong time.
I always want to keep things unwritten. I'm inspired by Bob Dylan, who's kept evolving and changing his sound. I think that's what you should do as an artist. Why be comfortable?
Behind all forms of beauty there is an infinite unity, and this unity, this intrinsic and eternal beauty, the artist is seeking to discern and to make others discern.
At first you're doing it for yourself, it's about what sounds good to you. It's about expressing yourself. Then you get comfortable as an artist and you find yourself and people get familiar.
I believe that each work of art, whether it is a work of great genius, or something very small, comes to the artist and says, "Here I am. Enflesh me. Give birth to me."
All children are artists, and it is an indictment of our culture that so many of them lose their creativity, their unfettered imaginations, as they grow older.
All artists have to do that at a certain point. This shift that has to happen between the initial moment of creation and then the consideration of what has been created.
Girls seemed to like artists! I felt very drawn to the idea of power, really, and doing painting as a power trip, in a sense. This idea of power has always driven me.
I get up around 7 a.m. That's very early for a stand-up comic. Then I'll have breakfast with my husband, the artist Al Ridenour, take my three dogs for a walk and commence with my work.
I'm taking a lot of my favorite artists, different people, my favorite music and marrying that with what I do as a comic. It's very collaborative, arty, fun and cool.