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I never achieved my first goal in the National Actors Theatre, which is to have a permanent Acting Company
I'm not just friends with fellow actors, but I find that a lot of people are out here in L.A. I go out of my way to make sure that's not the case, but I do have a lot of friends who are actors.
That's one of the things of being an actor. You have to push any knowledge of any future, at all, out of your mind. You never know what's going to happen where.
Even in the early '90s, I was already starting to mix professional actors with non-actors. I always enjoyed working with non-professionals, because their performances are very natural and unaffected.
So if I get these actors for 30% of their price by coming in so late with an offer when they know they are not getting another offer then I do it this way.
Well, yes, as I was a rather bad actor then and I wasn't making enough money, I thought, to make enough money to not make money as an actor, I'd better do some writing.
I think when average-size people start taking roles that were meant for dwarfs, that's a little frustrating because there aren't that many roles out there for height-challenged actors.
Believe me, you can be in the middle of a beautiful take and the next thing you know you're awash in people crossing the street. You can't even find your actors.
Sometimes you look at a movie and you can see that the actor or actress said, 'I'm taking this onboard because I'm making a ton of money, and not because it's going to be something special.'
I love Woody Allen. He's very clever, always thinking, and he's great with actors. He lets actors do what they want to do and occasionally he'll give them a specific kind of direction.
I've imparted that philosophy to the writers, but some of them look stuff up while some don't. Same with the editors, directors and actors. To each their own.