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Being actors we are dealing with the beauty and complexity of human confusion, no? And we are always trying to get answers.
As an actor, being in a relationship you have this opportunity to have something really exceptional, because you don't have a regimented schedule or lifestyle.
I think musicians oftentimes have the right skill set to be good actors. And with Rihanna, I noticed her and knew of her obviously, and was very taken with her charisma and her confidence.
When I was younger I saw a movie called 'Butch Cassidy and the Sundance Kid' with Paul Newman and Robert Redford. Those two actors and that movie was my inspiration to want to be an actor.
I love working with Liev [Schreiber]. I've known him for a long time. I just think he is a master. Few actors are so self-possessed and so focused and so confident.
You never get tired of making money, and you never get tired of a great acting gig, a same role that you can play for years, with wonderful writing and wonderful actors.
I see how people boss other actors around to try to get a scene favorable to them. I absolutely just never engage in doing that. If someone's going to do it to me, I just let them have it.
There are two kinds of actors: those with one job too few, who have to take every one that comes along, and those with one job too many, who can always turn down the one they don't want.
I get on with actors, and when I'm doing a theatre show, it's great being with them all the time. But we're all alike, and it's much nicer being with people who are different.
I would never not work on the part without it playing. That's what being an actor is. You use everything that's influenced you to help you get out of yourself or be more creative.
I know actors who say acting is acting, but I love the live-ness of an audience. I love feeling the energy of a room and allowing them to sort of teach you how to do it better.
In all my documentaries I did all the camera work, but in fiction I didn't want to do it myself. I think the machinery is so heavy and demanding that you would leave the actors alone for a long time.
I think it's very rare, as an actor, that you get to a script, or an idea of a script, and you go, "Oh, I just have to do that!" It fell into place very quickly.
An actor cannot say no, it’s against his job. If he wants the part he has to say yes. [But] it’s very bad for you to say you can do something and then not do it, so you have to manage to do it.
It is my first preference to do films with social significance. Art cinema has given me credibility and status as an actor, but commercial cinema has given me a comfortable living.