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I wanted to show how lightness was possible in the 1960s, but how life is more difficult in the 2000s.
I grew up with the one of the most famous fathers in the world in the 1960s and '70s. He passed away in 1984, and as time went on, people didn't know him. That blew me away.
In the late 1960s, I ended up in Telluride, Colorado. It wasnt like the country club that it is now. It was very raw. Skiing was there, but snowboarders have now entirely overrun it.
I was involved with Wells Fargo Bank as a consultant in the late 1960s and early 1970s, when I suggested to them that they develop a product that has become known as index funds.
This notion of public-school doors being barred to God would have confounded not only the founding fathers but also those who attended American public schools as recently as the early 1960s.
My dad was into the 1950s doo-wop era. If you look at those groups, or at James Brown, Jackie Wilson and the Temptations in the 1960s, you'll see you had to be sharp onstage.
In the mid-1960s, as hard to believe as it may be now, choosing to go into academic philosophy was not an imprudent career choice. There were lots of academic jobs in philosophy then.
The generation that migrated to the West in the 1970s or 1960s has now lived more in the West than India, and India has changed so much. My parents fall into that category.
I got interested in the idea of music that could make itself, in a sense, in the mid 1960s really, when I first heard composers like Terry Riley, and when I first started playing with tape recorders.
I'm really fascinated with anything that takes place between the 1920s up through the 1960s. In some ways it feels familiar, and in other ways it feels like it's from another planet.
Music isn't like news, where it's what happened five minutes ago or even 10 seconds ago that matters. With music, a song from the 1960s could be as relevant to someone today as the latest Ke$ha song.
I remember that mathematicians were telling me in the 1960s that they would recognize computer science as a mature discipline when it had 1,000 deep algorithms. I think we've probably reached 500.
In the 1960s, I would have considered China with its CPC an ideologically more dynamic country than the Soviet Union. But the Soviet Union was strategically more threatening.
The endless newsreel clips of nuclear explosions that we saw on TV in the 1960s (were) a powerful incitement to the psychotic imagination, sanctioning *everything*.
During the 1960s, the Shanghai of my childhood seemed a portent of the media cities of the future, dominated by advertising and mass circulation newspapers and swept by unpredictable violence.
It was only with the emergence of the Conceptualist approaches of the late 1960s that the opposition between artists using photography and photographers became explicit.
During the 1960s, we used twice as much oil as during the 1950s. And in each of those decades, more oil was consumed than in all of mankind's previous history.
New York was the last place that my movies caught on. I didn't make underground movies in New York, and in the 1960s, they were very snobby about that, because the whole scene was here.
Under the system that we now have to nominate presidential candidates, for instance, I would prefer that we have a system that is closer to, say, the one we had in the 1960s.
Children, for whom suburban life was supposed to make wholesome little Johns and Wendys, became the acid-dropping, classroom-burning hippies of the 1960s.
Historians will consider this a dark age. Science historians can read Galileos technical correspondence from the 1590s but not Marvin Minskys from the 1960s.
I grew up in the American South and came of age in the 1960s, an incredibly turbulent time. It was as if the seams of American life were being ripped apart with riots and protests.
John Carlos provided the world with one of the most iconic images of the 1960s with his Black Power salute after a medal-winning performance at the 1968 summer games.