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I fell in love with Virginia Woolf in college. I especially admire how well she writes about daily life, how she captures so much meaning and consequence in the smallest details of a day.
I love conventional apocalypse movies. In movies, I like to be with the President, or the scientist trying to solve the problem, but that's not the kind of fiction that I like to read.
What I like about eyewear is that it can work with a lot of different looks. You can wear it with a Balenciaga dress, or something that is straight and very quirky.
The overall concept comes first and then that informs the product, the shoot and how we communicate it. Everything comes back to the concept. It all gets thought about at the same time.
I don't believe in objectivity. I observe the observer's paradox every moment I'm filming. Your presence is changing everything; there's no mistaking it. And you have a responsibility.
My main trick is to work with amazing people. It's a long and twisty journey and you need people that really are amazing and have this rare gift of honesty and courage and really open up.
I've just been writing a column about the way in which Fallujah and New Orleans are looking to be twin towns in effect. They're both been worked over by the Bush Administration.
Norm Smith personally came and signed me up to the Melbourne Football Club. The fact that I then played cricket for Melbourne Cricket Club - the footy club didn't like it that much.