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My goal is to goad people into saying something that ruins their life.
Mainstream Canadians, what some might call the dominant culture, like to think this racism doesn't happen. It's important to remind people that it does and that we have work to do to end it.
If I were a writer, how I would enjoy being told the novel is dead. How liberating to work in the margins, outside a central perception. You are the ghoul of literature. Lovely.
People ask me if I left the lyrics open to ambiguity. Of course I did. I wanted to make a whole series of complex statements. The lyrics had to do with the state of society at the time.
I am a product of a rat and roach infested black ghetto. It is easy for me to rationalize my dealings as a numbers man. I'll defend men today who are involved in it.
There are two categories of writers, it could be said: The author who is just a voice, and the one who is also creating a picture. I belong to the latter, because I have an acute visual sense.
You want to know whether I believe in ghosts? Of course I do not believe in them. If you had known as many of them as I have, you would not believe in them either.
Men with secrets tend to be drawn to each other, not because they want to share what they know but because they need the company of the like-minded, the fellow afflicted.
In a repressive society, a writer can be deeply influential, but in a society that's filled with glut and repetition and endless consumption, the act of terror may be the only meaningful act.
There came a time in every prolonged effort when he had a moment of near panic, or 'terror in a lonely place', the original semantic content of the word. The lonely place was his own mind.
I can't concern myself with what's going on with the club or what the media is writing. If you pay attention to those things, that's when you get yourself in trouble.
True terror is a language and a vision. There is a deep narrative structure to terrorist acts, and they infiltrate and alter consciousness in ways that writers used to aspire to.
I think a playwright realizes after he finishes working on the script that this is only the beginning. What will happen when it moves into three dimensions?