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Of course, these were only dreams. How could a sensible woman leave a happy marriage? All the same, a seductive voice from afar kept breaking into her conjugal peace: it was the voice of solitude.
The novel's spirit is the spirit of complexity. . . . The novel's spirit is the spirity of continuity . . . a thing made to last, to connect the past with the future.
Vertigo is something else than the fear of falling. It is the voice of emptiness below us which temps and lures us, it is the desire to fall, against which, terrified, we defense ourselves.
If we do not know what future the present is leading us toward, how can we say whether this present is good or bad, whether it deserves our concurrence, or our suspicion, or our hatred?
There was not a scrap of tangible evidence to show that he had spent the most wonderful year of his life with her.Which only increased his desire to remain faithful to her.
she had experienced something beautiful, and he had failed to experience it with her. The two ways in which their memories reacted to the evening storm sharply delimit love and non-love.
Not everything written on Kafka is Kafkology. How then to define Kafkology? By a tautology: Kafkology is discourse for Kafkologizing Kafka. For replacing Kafka with the Kafkologized Kafka.
Youth is a terrible thing: it is a stage trod by children in buskins and fancy costumes mouthing speeches they've memorized and fanatically believe but only half understand
If every second of our lives recurs an infinite number of times, we are nailed to eternity as Jesus was nailed to the cross. It is a terrifying prospect.
The physical contact with people who struck and trampled and killed one another seemed far worse to him than a solitary death in the purity of the waters.
Eventually we come to know and understand a lot of things, but it's too late, because a whole life has already been determined at a stage when we didn't know a thing.
In a society run by terror, no statements whatsoever can be taken seriously. They are all forced, and it is the duty of every honest man to ignore them.
The cemetery was vanity transmogrified into stone. Instead of growing more sensible in death, the inhabitants of the cemetery were sillier than they had been in life.
There is nothing heavier than compassion. Not even one's own pain weighs so heavy as the pain one feels for someone, for someone, pain intensified by the imagination and prolonged by a hundred echos.