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I can't think of very many people who work as hard at the craft of songcraft as Gord Downie does. It was life or death. Every syllable was important.
The lesson there is that there's no hiding the sound of a band that is bored with its own music. Whatever it takes to create the sound of excitement, that's what you want to do.
If I was switched from whatever I'm doing, and I was, for some reason, made the chief football writer in any newspaper, then I'd retire. I'd go back to being a barber.
When you're at an Olympic Games watching someone you've known for a long while and he or she has done something, even if it's only coming in the top 50, then you have a monumental night.
And I think that if I were a for real celebrity that was recognizable everywhere, I'd just crawl under a rock and you know, have someone run over the rock with a car, or something.
By nature, I think I am a pretty private person, and that is what is hard even doing interviews for films that I really love doing, because in some ways, it diminishes the experience that I had.
I feel my life has more meaning because I am responsible for another life, although I don't have control over what Lucian - my son - is going to do. He's definitely going to carve his own way.
It's always fun to get to do independent film because I believe that that's the life blood of film. It's about writers and directors who truly have their own vision, and that's hard.
I think all comics borrow from each other. Only a few have an original voice, and I wasn't one of them. In the end, I couldn't figure out who to steal from, so I stopped doing it.
When I was in pre-production for Trees Lounge, I was hearing the cinematographer talking with the production designer about colours and this and that and feeling like I was losing control.