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I've never seen bad drawing destroy a good idea. On the other hand, I've never seen a good drawing save a bad idea.
Fellini was [David] Lynch's master and his biggest idol, and he believed in Fellini's view that film is a dream, it's not reality. It's all about delving into the unconscious.
When you encounter that first love, a young love, you do feel that your story is original. You are utterly convinced that your story has never been told before, because it hasn't.
If people are saying that somehow their connection is going to be detrimental to their health, of course they are going to reject that idea, because that's the power of falling like that.
Love is the most universal experience. There is nothing more important than love, there is nothing more meaningful than love, and there is nothing more human in people's relationships than love.
Even though the vast majority of my work was outside television, the amount of creation and inventing that went into the TV shows was non stop and, unknown to me, a great strain.
I like purple too. I looked up color psychology before doing any house painting, because I was curious what the colors I like mean. And purple is very royal and creative.
Reading the script [Insane Farting Corpse], by page two or three, I felt that way. I thought, I'm in. It was so beautiful and insane and funny and I wanted to see it happen.
[Swiss Armi Man] was a super joyful film to go make. I mean, there was stuff that was, like, totally bananas. But it was kind of par for the course every day with that stuff.
I would say that the emotional content of the film [Swiss Army Man] took me by surprise, and sometimes I would probably want to capture the unique tone of it.
I love that it's such an uncynical film [Swiss Army Man]. I think it's got a lot of love in there, and I think that's a nice thing in this day and age.
When somebody mentions that I did a play with George C. Scott, I'm like, it can't have happened. What was I doing on a Broadway stage at 11 years old? It's so far in the distance now.
I think it was a lot of trust as well [between me and Daniel Radcliffe]. If we didn't have that, it could be a very painful film [ Swiss Army Man] to go make.
Through conscious beings the universe has generated self-awareness. This can be no trivial detail, no minor byproduct of mindless, purposeless forces. We are truly meant to be here.