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You have to choose whether to love yourself or not.
Quart of whiskey a day for months working hard on a long poem. Wife hiding bottles, myself hiding bottles. Murderous and suicidal. Many hospitalizations, many alibis.
Americans work a long away ahead of themselves because of the size of the place. To make any impact at all you have to promote yourself with live performances ages before a release.
Things have dropped from me. I have outlived certain desires; I have lost friends, some by death... others through sheer inability to cross the street.
Human Dignity has gleamed only now and then and here and there, in lonely splendor, throughout the ages, a hope of the better men, never an achievement of the majority.
It takes that je ne sais quoi which we call sophistication for a woman to be magnificent in a drawing-room when her faculties have departed but she herself has not yet gone home.
My opposition to Interviews lies in the fact that offhand answers have little value or grace of expression, and that such oral give and take helps to perpetuate the decline of the English language.
The sanity of the average banquet speaker lasts about two and a half months; at the end of that time he begins to mutter to himself, and calls out in his sleep.
You can understand why a system would seek information - but why in hell does it offer information? Why do we strive to be understood? Why is a refusal to accept communication so painful?
Truth cannot be constructed. To live in ideology is, as [Vaclav] Havel so eloquently reminds us, inevitably to live in a lie. Truth can only be revealed. We cannot be creators, only receptors.
But I must own that I also felt stirred by an unselfish desire to voice all the joys and sorrows, the hopes and ambitions, of the American Negro, in classic musical form.
In Berlin I especially enjoyed the orchestral concerts, and I attended a large number of them. I formed the acquaintance of a good many musicians, several of whom spoke of my playing in high terms.
Shortly after this I was made a member of the boys choir, it being found that I possessed a clear, strong soprano voice. I enjoyed the singing very much.
A student of James McNeill Whistler tells the great artist, 'I tend to paint what I see.' Whistler replies, 'Ah! The shock will come when you see what you paint!
It is for the artist... in portrait painting to put on canvas something more than the face the model wears for that one day; to paint the man, in short, as well as his features.
With 'Black Swan,' the ballerina saga flips its tiara and goes on a hallucinatory bender, a scary acid trip where transfiguration and disfiguration meet.
As you look at the flow of Muslim fundamentalism, or fundamentalism in various areas and various religions, they all play on the people who have very little.