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The truth about our own modest contribution might immobilize us: much easier then, to tell ourselves a story about how much we make our own reality.
When I recite poems onstage, I put myself into the very personal struggle and it grants tremendous perspective. At the same time you get another perspective on the poem you're reciting.
It might be liberating to think of human life as informed by losses and disappearances as much as by gifted appearances, allowing a more present participation and witness to the difficulty of living.
By definition, poetry works with qualities and dynamics that mainstream society is reluctant to face head-on. It's an interesting phenomenon that by necessity, poetry is just below the radar.
A real conversation always contains an invitation. You are inviting another person to reveal herself or himself to you, to tell you who they are or what they want.
Poetry is a street fighter. It has sharp elbows. It can look after itself. Poetry can't be used for manipulation; it's why you never see good poetry in advertising.
It is the province of poetry to be more realistic and present than the artificial narratives of an outer discourse, and not afraid of the truthful difficulty of the average human life.
If I don't have time for the writing, it's because I'm not making that time. It's really just a question of whether you want to or not, whether you feel you deserve to write or not.
The outlaw is the radical, the one close to the roots of existence. The one who refuses to forget their humanity and, in remembering, helps everyone else remember, too.
In Germany, they have great difficulty with anything that smacks of cultism or messianic leadership. You can't talk about leadership in its charismatic forms.
Poetry is a street fighter. It has sharp elbows. It can look after itself. Poetry can't be used for manipulation it's why you never see good poetry in advertising.