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Television is a media of crisis, which means that television is a media of accidents.
One can't even know what it means to be lost in reality. For instance, it is easy to know whether you are lost or not in the Sahara desert, but to be lost in reality! This is much more complex!
The body is extremely important to me, because it is a planet. For instance, if you compare Earth and an astronomer, you will see that the man is a planet.
I think that cinema and television have nothing in common. There is a breaking point between photography and cinema on the one hand and television and virtual reality on the other hand.
Jean Baudrillard is a friend of mine, I do not agree with him on that one! For me, the significance of the war in Kosovo was that it was a war that moved into space.
In this way, history now inscribes itself in real time, in the 'live', in the realm of interactivity. Consequently, history no longer resides in the extension of territory.
I am always concerned with ideas of territory and movement. Indeed, my first book after Bunker Archeology was entitled L'insecurite du territoire (1976).
As I have been arguing for a long time now, there is a real need not simply for a political economy of wealth but also for a political economy of speed.
While the United States (US) can view the war as a success, Europe must see it as a failure for it and, in particular, for the institutions of the European Union (EU).
As I pointed out in The Art of the Motor and elsewhere, from now on we need two watches: a wristwatch to tell us what time it is and a GPS watch to tell us what space it is!
For the US, GPS are a form of sovereignty! It is hardly surprising, then, that the EU has proposed its own GPS in order to be able to localize and to compete with the American GPS.
GPS are everywhere. They are in cars. They were even in the half-tracks that, initially at least, were going to make the ground invasion in Kosovo possible.
May I remind you that the bombs that were dropped by the B-2 plane on the Chinese embassy or at least that is what we were told were GPS bombs. And the B-2 flew in from the US.
Moreover, it is clear that the era of the information bomb, the era of aerial warfare, the era of the RMA and global surveillance is also the era of the integral accident.
The cinema was certainly an art, but television can't be, because it is the museum of accidents. In other words, its art is to be the site where all accidents happen. But that's its only art.
Art has become more than painting, sculpture or music: art is more than Van Gogh painting a landscape or Wagner composing an opera. The whole of reality itself has become the object of art.
There is not one text reference to characteristic Protestant religious life in these books... The dominant theme is the denial of religion as an actual part of American life.