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you say you have no courage, but i see it in you. what you did, the burden you agreed to shoulder, took courage. for that, i honor you.
Soon, he would become an adult. And when he did, there would be not going back because adulthood was akin to what his father had once said about being a war hero: one you became one, you died one.
She thought of Aziza's stutter, and of what Aziza had said earlier about fractures and powerful collisions deep down and how sometimes all we see on the surface is a slight tremor.
I cut my hair like three times a week. Sometimes more if I'm working, and I know I got to be in front of people with interviews or TV or video. I've been blessed to be so busy.
I listen to so much, I listen to a lot of reggae. Obviously I listen to hip-hop, that's what I make. I listen to soul. I love jazz. I love all types of music.
I did see [in Afghanistan] plenty that reminded me of my childhood. I recognised my old neighbourhood, saw my old school, streets where I had played with my brother and cousins.
I ran. A grown man running with a swarm of screaming children. But i didn't care. I ran with the wind blowing in my face, and a smile as wide as the Valley of Panjsher on my lip. I ran
Afghanistan is a rural nation, where 85 percent of people live in the countryside. And out there it's very, very conservative, very tribal - almost medieval.
When I go to Afghanistan, I realize I've been spared, due to a random genetic lottery, by being born to people who had the means to get out. Every time I go to Afghanistan I am haunted by that.
After everything he'd built, planned, fought for, fretted over, dreamed of, this was the summation of his life; one disappointing son and two suitcases.
I was overwhelmed with the kindness of people [in Afghanistan] and found that they had managed to retain their dignity, their pride, and their hospitality under unspeakably bleak conditions.
I returned to Afghanistan because I had a deep longing to see for myself how people lived, what they thought of their government, how optimistic they were about the future of their homeland.
Even after The Kite Runner was published I continued to practice for another eighteen months. But I had always had a love of writing and a compulsion to do it.
sometimes the shifting of rocks is deep, deep below, and it's powerful and scary down there, but that all we feel on the surface is a slight tremor. Only a slight tremor.