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The old Paris is no more (the form of a city changes faster, alas! than a mortal's heart).
The Poet is like the prince of the clouds, who haunts the tempest and laughs at the archer. Exiled on the ground in the midst of the jeering crowd, his giant's wings keep him from walking.
How many years of fatigue and punishment it takes to learn the simple truth that work, that disagreeable thing, is the only way of not suffering in life, or at all events, of suffering less.
It is one of the prodigious privileges of art that the horrific, artistically expressed, becomes beauty, and that sorrow, given rhythm and cadence, fills the spirit with a calm joy.
Forest, I fear you! In my ruined heart your roaring wakens the same agony as in cathedrals when the organ moans and from the depths I hear that I am damned.
I watch the springs, the summers, the autumns; And when comes the winter snow monotonous, I shut all the doors and shutters To build in the night my fairy palace.
How bittersweet it is, on winter's night, To listen, by the sputtering, smoking fire, As distant memories, through the fog-dimmed light, Rise, to the muffled chime of churchbell choir.
Nothing is as tedious as the limping days, When snowdrifts yearly cover all the ways, And ennui, sour fruit of incurious gloom, Assumes control of fate’s immortal loom
Oh, Creator! Can monsters exist in the sight of him who alone knows how they were invented, how they invented themselves, and how they might not have invented themselves?
The artist is today and has been for many years, despite his absence of merit, simply a spoiled child. So many honors, so much money bestowed on men without souls and without education.
There is a word, in a verb, something sacred which forbids us from using it recklessly. To handle a language cunningly is to practice a kind of evocative sorcery.
Since photography gives us every guarantee of exactitude that we could desire (they really believe that, the mad fools !), then photography and art are the same thing.
Above my cradle loomed the bookcase where/ Latin ashes and the dust of Greece/ mingled with novels, history, and verse/ in one dark Babel. I was folio-high/ when I first heard the voices.
The Poet is a kinsman in the clouds Who scoffs at archers, loves a stormy day; But on the ground, among the hooting crowds, He cannot walk, his wings are in the way.
The pleasure we derive from the representation of the present is due, not only to the beauty it can be clothed in, but also to its essential quality of being the present.