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Surely tis by faith we are upheld thro such trials-justice will be meted in time to those who fill soft places and malign men who perform heroic duties
When one is a child, the disposition of objects, tables and chairs and doors, seems part of the natural order: a house-move lets in chaos - as it does for a dog.
Two things are terrible in childhood: helplessness (being in other people's power) and apprehension - the apprehension that something is being concealed from us because it is too bad to be told.
One can suffer a convulsion of one's entire nature, and, unless it makes some noise, no one notices. It's not just that we are incurious; we completely lack any sense of each other's existences.
To the sun Rome owes its underlying glow, and its air called golden - to me, more the yellow of white wine; like wine it raises agreeability to poetry.
... it appears to me that problems, inherent in any writing, loom unduly large when one looks ahead. Though nothing is easy, little is quite impossible.
It is in this unearthly first hour of spring twilight that earth's almost agonized livingness is most felt. This hour is so dreadful to some people that they hurry indoors and turn on the lights.
In big houses in which things are done properly, there is always the religious element. The diurnal cycle is observed with more feeling when there are servants to do the work.
Expectations are the most perilous form of dream, and when dreams do realise themselves it is in the waking world: the difference is subtly but often painfully felt.
On the subject of dress almost no one, for one or another reason, feels truly indifferent: if their own clothes do not concern them, somebody else's do.
Often when I write I am trying to make words do the work of line and color. I have the painter's sensitivity to light. Much of my writing is verbal painting.
Story involves action. Action towards an end not to be foreseen (by the reader) but also towards an end which, having been reached, must be seen to have been from the start inevitable.
Childish fantasy, like the sheath over the bud, not only protects but curbs the terrible budding spirit, protects not only innocence from the world, but the world from the power of innocence.
... in nine out of ten cases the original wish to write is the wish to make oneself felt[ellipsis in source] the non-essential writer never gets past that wish.